<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
		>
<channel>
	<title>Comments on: Artistic videojournalism (two examples)</title>
	<atom:link href="http://paulbalcerak.com/2009/09/29/artistic-videojournalism-two-examples/feed/" rel="self" type="application/rss+xml" />
	<link>http://paulbalcerak.com/2009/09/29/artistic-videojournalism-two-examples/</link>
	<description>...in which I talk about how social media managers, journalists and PR pros can communicate better.</description>
	<lastBuildDate>Tue, 24 Jan 2012 22:01:00 +0000</lastBuildDate>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.2.1</generator>
	<item>
		<title>By: 10 pioneers in online video journalism &#171; World documentary</title>
		<link>http://paulbalcerak.com/2009/09/29/artistic-videojournalism-two-examples/#comment-422</link>
		<dc:creator>10 pioneers in online video journalism &#171; World documentary</dc:creator>
		<pubDate>Tue, 17 May 2011 18:01:09 +0000</pubDate>
		<guid isPermaLink="false">http://paulbalcerak.com/?p=610#comment-422</guid>
		<description>[...] Adam Westbrook and US journalist Paul Balcerak have suggested, there is greater artistic potential in online video [...]</description>
		<content:encoded><![CDATA[<p>[...] Adam Westbrook and US journalist Paul Balcerak have suggested, there is greater artistic potential in online video [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Changing the channels – 10 pioneers in online video journalism &#171; Video Journalism Blog</title>
		<link>http://paulbalcerak.com/2009/09/29/artistic-videojournalism-two-examples/#comment-408</link>
		<dc:creator>Changing the channels – 10 pioneers in online video journalism &#171; Video Journalism Blog</dc:creator>
		<pubDate>Sat, 26 Feb 2011 21:12:55 +0000</pubDate>
		<guid isPermaLink="false">http://paulbalcerak.com/?p=610#comment-408</guid>
		<description>[...] Adam Westbrook and US journalist Paul Balcerak have suggested, there is greater artistic potential in online video journalism. It can break from [...]</description>
		<content:encoded><![CDATA[<p>[...] Adam Westbrook and US journalist Paul Balcerak have suggested, there is greater artistic potential in online video journalism. It can break from [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Kodak Zi8: the tool to change video journalism? &#171; Adam Westbrook</title>
		<link>http://paulbalcerak.com/2009/09/29/artistic-videojournalism-two-examples/#comment-106</link>
		<dc:creator>Kodak Zi8: the tool to change video journalism? &#171; Adam Westbrook</dc:creator>
		<pubDate>Fri, 20 Nov 2009 17:26:50 +0000</pubDate>
		<guid isPermaLink="false">http://paulbalcerak.com/?p=610#comment-106</guid>
		<description>[...] you just have to watch this film by PNW Local (previously featured on this blog) to see the potential. It was shot entirely on the [...]</description>
		<content:encoded><![CDATA[<p>[...] you just have to watch this film by PNW Local (previously featured on this blog) to see the potential. It was shot entirely on the [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: paulbalcerak</title>
		<link>http://paulbalcerak.com/2009/09/29/artistic-videojournalism-two-examples/#comment-105</link>
		<dc:creator>paulbalcerak</dc:creator>
		<pubDate>Wed, 30 Sep 2009 19:35:34 +0000</pubDate>
		<guid isPermaLink="false">http://paulbalcerak.com/?p=610#comment-105</guid>
		<description>Very good point.</description>
		<content:encoded><![CDATA[<p>Very good point.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Mary Hamilton</title>
		<link>http://paulbalcerak.com/2009/09/29/artistic-videojournalism-two-examples/#comment-104</link>
		<dc:creator>Mary Hamilton</dc:creator>
		<pubDate>Wed, 30 Sep 2009 19:33:18 +0000</pubDate>
		<guid isPermaLink="false">http://paulbalcerak.com/?p=610#comment-104</guid>
		<description>Audio issues - I simply mean that a lot of people view videos at work or in other environments where sound might be blocked or turned down. Others will use state-of-the-art equipment that enhance every pin dropped. It&#039;s hard to predict what your users will be able to listen to, so simple tends to work for everyone whereas complicated or wordy voiceover tends not to.</description>
		<content:encoded><![CDATA[<p>Audio issues &#8211; I simply mean that a lot of people view videos at work or in other environments where sound might be blocked or turned down. Others will use state-of-the-art equipment that enhance every pin dropped. It&#8217;s hard to predict what your users will be able to listen to, so simple tends to work for everyone whereas complicated or wordy voiceover tends not to.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: paulbalcerak</title>
		<link>http://paulbalcerak.com/2009/09/29/artistic-videojournalism-two-examples/#comment-103</link>
		<dc:creator>paulbalcerak</dc:creator>
		<pubDate>Wed, 30 Sep 2009 19:17:35 +0000</pubDate>
		<guid isPermaLink="false">http://paulbalcerak.com/?p=610#comment-103</guid>
		<description>I agree (though I&#039;m not really sure what &quot;audio issues&quot; you mean).

I think another thing to consider is that the whole idea of an anchorperson, or at least the whole anchorman persona/reporting style, was to give you a &quot;buddy&quot;—someone you could relate to—to sort of personalize the news. That idea is a little passé in light of social media, given that you can &lt;em&gt;choose&lt;/em&gt; who your buddies are or create virtual &quot;buddies&quot; (i.e. Google Reader) that deliver your news to you.</description>
		<content:encoded><![CDATA[<p>I agree (though I&#8217;m not really sure what &#8220;audio issues&#8221; you mean).</p>
<p>I think another thing to consider is that the whole idea of an anchorperson, or at least the whole anchorman persona/reporting style, was to give you a &#8220;buddy&#8221;—someone you could relate to—to sort of personalize the news. That idea is a little passé in light of social media, given that you can <em>choose</em> who your buddies are or create virtual &#8220;buddies&#8221; (i.e. Google Reader) that deliver your news to you.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Mary Hamilton</title>
		<link>http://paulbalcerak.com/2009/09/29/artistic-videojournalism-two-examples/#comment-102</link>
		<dc:creator>Mary Hamilton</dc:creator>
		<pubDate>Wed, 30 Sep 2009 19:04:56 +0000</pubDate>
		<guid isPermaLink="false">http://paulbalcerak.com/?p=610#comment-102</guid>
		<description>There seems to be a move towards a sort of full-screen journalism on the web - perhaps partly because of the audio issues online? It&#039;s refreshing to be shown rather than told what the story is.</description>
		<content:encoded><![CDATA[<p>There seems to be a move towards a sort of full-screen journalism on the web &#8211; perhaps partly because of the audio issues online? It&#8217;s refreshing to be shown rather than told what the story is.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: paulbalcerak</title>
		<link>http://paulbalcerak.com/2009/09/29/artistic-videojournalism-two-examples/#comment-101</link>
		<dc:creator>paulbalcerak</dc:creator>
		<pubDate>Wed, 30 Sep 2009 18:02:59 +0000</pubDate>
		<guid isPermaLink="false">http://paulbalcerak.com/?p=610#comment-101</guid>
		<description>&lt;a href=&quot;http://paulbalcerak.com/2009/09/29/artistic-videojournalism-two-examples/#comment-208&quot; rel=&quot;nofollow&quot;&gt;@Mary&lt;/a&gt; - I don&#039;t want to bash broadcast journalists too much, but there is an element of &quot;on a date with your mom supervising&quot; at work—how are you supposed to have this visceral connection with the subject of the story when there&#039;s another person moderating the whole thing? (Never mind the Ron Burgundy-like puns and overall goofiness that some broadcasters embody.)

&lt;a href=&quot;http://paulbalcerak.com/2009/09/29/artistic-videojournalism-two-examples/#comment-209&quot; rel=&quot;nofollow&quot;&gt;@Paul&lt;/a&gt; - Funny you should mention that—Andrew did &lt;a href=&quot;http://www.pnwlocalnews.com/news/49612672.html?period=W&amp;mpStartDate=09-17-2009&quot; rel=&quot;nofollow&quot;&gt;another video&lt;/a&gt; for us a while back (also on transportation) where he mixed stills with video.</description>
		<content:encoded><![CDATA[<p><a href="http://paulbalcerak.com/2009/09/29/artistic-videojournalism-two-examples/#comment-208" rel="nofollow">@Mary</a> &#8211; I don&#8217;t want to bash broadcast journalists too much, but there is an element of &#8220;on a date with your mom supervising&#8221; at work—how are you supposed to have this visceral connection with the subject of the story when there&#8217;s another person moderating the whole thing? (Never mind the Ron Burgundy-like puns and overall goofiness that some broadcasters embody.)</p>
<p><a href="http://paulbalcerak.com/2009/09/29/artistic-videojournalism-two-examples/#comment-209" rel="nofollow">@Paul</a> &#8211; Funny you should mention that—Andrew did <a href="http://www.pnwlocalnews.com/news/49612672.html?period=W&amp;mpStartDate=09-17-2009" rel="nofollow">another video</a> for us a while back (also on transportation) where he mixed stills with video.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Paul Treacy</title>
		<link>http://paulbalcerak.com/2009/09/29/artistic-videojournalism-two-examples/#comment-100</link>
		<dc:creator>Paul Treacy</dc:creator>
		<pubDate>Wed, 30 Sep 2009 10:20:02 +0000</pubDate>
		<guid isPermaLink="false">http://paulbalcerak.com/?p=610#comment-100</guid>
		<description>This is very refreshing stuff. I&#039;m a stills guy in the process of becoming a motion capture guy and so I&#039;m ready to learn.

I want to use stills in my videos and so I hope to figure out an artistic way of using my stills as b-roll which means capturing the audio independently.

As yet, I don&#039;t have all the gear I need but I&#039;m getting there. Hopefully by Christmas I&#039;ll be fully kitted out to tell stories from south London.

Thanks for this, Paul.
http://paultreacy.com/video</description>
		<content:encoded><![CDATA[<p>This is very refreshing stuff. I&#8217;m a stills guy in the process of becoming a motion capture guy and so I&#8217;m ready to learn.</p>
<p>I want to use stills in my videos and so I hope to figure out an artistic way of using my stills as b-roll which means capturing the audio independently.</p>
<p>As yet, I don&#8217;t have all the gear I need but I&#8217;m getting there. Hopefully by Christmas I&#8217;ll be fully kitted out to tell stories from south London.</p>
<p>Thanks for this, Paul.<br />
<a href="http://paultreacy.com/video" rel="nofollow">http://paultreacy.com/video</a></p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Mary Hamilton</title>
		<link>http://paulbalcerak.com/2009/09/29/artistic-videojournalism-two-examples/#comment-99</link>
		<dc:creator>Mary Hamilton</dc:creator>
		<pubDate>Wed, 30 Sep 2009 08:26:55 +0000</pubDate>
		<guid isPermaLink="false">http://paulbalcerak.com/?p=610#comment-99</guid>
		<description>Both these videos are beautiful. The first particularly so - it doesn&#039;t just tell the story, it shows what it was really like. There&#039;s so much empathy there, and the absence of a traditional reporter figure means there&#039;s nothing to get between the viewer and the man who&#039;s stuck. It&#039;s very moving and very human and very &lt;em&gt;real&lt;/em&gt;.

I like the point you&#039;ve made too about its timelessness. So often in newsgathering we end up focussing on the new, the now, the facts - but that video removes all context apart from the opening slides, which makes it both immediate and universal. It takes a story that could be very location- and time-specific and makes it relevant to everyone.

Plus it&#039;s not all that often that we get to say news is beautiful. It should happen more.</description>
		<content:encoded><![CDATA[<p>Both these videos are beautiful. The first particularly so &#8211; it doesn&#8217;t just tell the story, it shows what it was really like. There&#8217;s so much empathy there, and the absence of a traditional reporter figure means there&#8217;s nothing to get between the viewer and the man who&#8217;s stuck. It&#8217;s very moving and very human and very <em>real</em>.</p>
<p>I like the point you&#8217;ve made too about its timelessness. So often in newsgathering we end up focussing on the new, the now, the facts &#8211; but that video removes all context apart from the opening slides, which makes it both immediate and universal. It takes a story that could be very location- and time-specific and makes it relevant to everyone.</p>
<p>Plus it&#8217;s not all that often that we get to say news is beautiful. It should happen more.</p>
]]></content:encoded>
	</item>
</channel>
</rss>

